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In the 1970s view, cocaine and marijuana were not ‚really‚ addictive: You might really want coke or pot, but you didn‚t need it like a real junkie, the thinking went. Good luck with that one, I say.

Then Frederick ran away. At last, while doing his show in a New York club, Bitchina meets his friend again. Frederick confronts the meaning of his existence, and Bitchina relives the drama that shaped his sensitive gay being. An exploration of fantasy, magic, realism and surrealism, which asks ‚What do we do with something that‚s no longer needed?‚ First produced by The House of B— at The Playwrights‚ Center of Minneapolis, June 2002. Recipient of a 2001 Finalist Grant from the Illinois Arts Council.

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